
The second set was about buying boutique ETF's - tried to conjure diagon alley a little, but fill it with classy old people 
Thanks to Money Sense for the fun.

The second set was about buying boutique ETF's - tried to conjure diagon alley a little, but fill it with classy old people 
Thanks to Money Sense for the fun.

I had the good fortune to work with Mike at City Pages on their cover this week. The story was about a neighborhood in north Minneapolis that was just totally decimated by a Tornado about a year ago. The neighborhood, and its people are still in ruins. They're mostly poor, and theres been little in the way of aid. The power of the subject matter aside, i grew up OBSESSED with, and terrified by tornadoes. We lived in the country, and in my mind that was the only place they struck - i used to hide under the basement stairs at even the sight of storm clouds. Lately, i've been working on making my illustration more autobiographical. I dont want to compromise the conceptual nature, but my pieces seem strongest when both co-exist. The image we settled on shows a cowering mans life being up, and taken from him. Thats really the biggest fear, right? elements of his neighborhood and life are sucked up (including an adorable Boston Terrier). I had a lot of fun painting this, and am unusually happy with how it turned out. This is probably a result of my continued fascination with the subject matter - and maybe aided by the 1996 movie "Twister" which i watched while painting, for good measure.





This piece was an over-sized full pager for Leap Magazine. The subject matter was pretty tricky, as it spoke about the harshness of cancer, and how talking about it - sharing your story - is the best was to deal with the pain. I worked on ideas for a solid day, and it was certainly tricky, because i didnt just want some conceptual one liner, but rather i wanted to connect with the article on an emotional level. I've been working on making my illustration more personal (in general) lately - for this piece in particular, across the road from the farm where i grew up there was a long field, backed up against another field - in the wintertime it becomes this expanse of bleak snow, with only a few trees breaking up the landscape. Remembering how that specific area made me feel set the tone for the piece and seemed like the proper setting for cancer. I thought about how spring always eventually came, and with it life and energy. Having the mans lines of speech BE spring seemed like a perfect way to show the power speech has. Some less than perfect roughs below, there were lots more:



did a few pieces for HR mag recently - heres a full pager that went through a couple of steps -
For Readers Digest Asia, about a father whos so afraid of his son getting hurt (no matter what activity he does) that he finds himself being obsessive and over-protective. i liked the idea of showing the father creating a force field with his over-parenting - ideally using some child like activity as his aid. Towards the end of the article, he comes to the conclusion that no matter what he does, his kid will never be totally safe - i tried to hint at this by showing the son breaking the bubble confines with his own bubbles.


